
The film has grittiness to spare--the rugby scenes are muddy and brutal, as though the viewer were in the pileup--and the requisite sense of mute anguish (and not-so-mute: What would a Richard Harris movie be without sudden outbursts?) provides a long hard look at the heart of tragedy: Choice is a limited resource--every choice means one less--until only one remains, and that one is doom. Here, it's the rugby field, where Machin pushes like Sisyphus against his rock, getting nowhere.
I'm struck by how often I'm attracted by movies that remind me of King Kong, the "great ape" (Machin is called this at one point) that swipes at every obstacle, rages against what it hopes is the Other but that ends up being the Self. And as awful as such monsters are, they break my heart, like Jake LaMotta in his jail cell, insisting against all evidence to the contrary that he's not that bad.
No comments:
Post a Comment